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  • Future Productions
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    • 2021 ONWARDS >
      • Wind In The Willows
      • The Addams Family
      • The Hound Of The Baskervilles
    • 2016 - 2020 >
      • Annie
      • Evita
      • Blithe Spirit
      • The Sound of Music
      • High Society
      • The Best Little Whorehouse In Texas
      • Into The Woods
      • Guys & Dolls
      • Grease
      • Legally Blonde
    • 2011 - 2015 >
      • Fiddler On The Roof
      • Oliver!
      • Anything Goes
      • Stepping Out
      • Sweet Charity
      • Sex And The Village
      • Calendar Girls
      • Hot Mikado
      • Half a Sixpence
      • Follies
      • Strictly Musicals!
      • Patience
      • Disney's Beauty and The Beast
  • The Committee
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    • The Early Years
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FIDDLER ON THE ROOF

Fiddler On The Roof

13th - 17th October 2015 , Theatre Royal Bury St Edmunds

Sponsors
Caroline Ranson at Stagecoach, Bury St Edmunds
Director: Louise Travis
Musical Director: James Recknall
Choreographer: Heather Couch
Production Managers: Debbie Croll/ Rachelle Curtis

Picture
Picture

Cast

Tevye : Marc Kerr
Golde : Lou Petch
Tzeitel : Rachelle Curtis
Hodel : Megan Barber
Chava : Jordan Cooper
Sprintze : Esmee Fox / Ella Rose O'Grady
Bielke : Ruby Decent / Imogen Cannon
Motel : Ben Hill
Perchik : Damon Morrish
Fyedka : James Malone
Lazar Wolfe : Tom Anderson
Yente : Fiona Barker
Fruma-Sarah : Diane Elvin
Grandma Tzeitel : Debbie Croll
Mordcha (innkeeper) : Colin Musgrove
Rabbi : Phil Amtower
Constable : Jeremy Warbrick
Mendel (Rabbi Son) : Robbie Noonan
Avram (bookseller) : Nick Gane
Nachum (beggar) : Stan Chaberlain
Shaindel (Motels Mum) : Tracy Dougherty
Fiddler : Olivia Spence
Priest : Ken Sawyer

Villagers:Jules Mills / Trish Barnard
Sarayah Hayes / Abigail Fleckney
Hope Fenandez / Michael Heslop
Jago Cooper / Harry Falkingham
Katie Edwards / Tilly Alexander
Hannah Turpie / Finn Fox
Zac Rogers / Matthew Barber



Julie Petrucci - N O D A:
Fiddler on the Roof is set in the small Jewish village of Anatevka, Russia, in 1905 and is concerned primarily with the efforts of Tevye, a dairyman, his wife, Golde, and their five daughters to cope with their harsh existence under Tsarist rule.
Marc Kerr’s Tevye was a splendid creation. He had an exceptional grasp of the role bringing out all the humour of the character and created a believable relationship with his wife and daughters.
I was very impressed with performances of the five daughters Jordan Cooper (Chava), EllaRose O’Grady (Sprintze), Imogen Cannon (Biekle): Megan Barber (Hodel) and Rachelle Curtis (Tzeitel). They all gave confident performances with the bonus addition of good voices particularly Tzeitel and Hodel. There was a beautiful scene between Tevye and Hodel outside the railroad station Far From the Home I Love.
Lou Petch as wife Golde has good stage presence but, for me, her performance lacked the necessary empathy with Tevye. Having said that, she has a great voice and there was a touching scene when the two sang Do You love Me?
There were fine performances from Tom Anderson as Lazar Wolf the village butcher and Jeremy Warbrick as The Constable. A minor yet important role which has to strike the balance between a friendly relationship whilst maintaining a position of authority. It is a role often overlooked so I was pleased to see it done so well here. Damon Morrish also made a good impression as Perchik the student, bravely standing out against the village traditions, endeavouring to convince people things were changing. Good support too was given by Ben Hill (Motel the tailor), Colin Musgrove (Mordcha the inn keeper), Fiona Barker (Yente, the matchmaker) and James Malone as Fyedka.
For me there were two or three things on the debit side: I felt the dream sequence was in danger of getting out of control and I didn’t like Tevye walking amongst and chatting to the audience, it broke the rhythm for me. I also had a problem with the fullon shouting matches between Golde and Tevye I think we could have seen a few more tender moments between the two.
However, there was plenty on the credit side. In particular the singing. Great work by MD James Recknell. The ensemble was excellent and all principals had fine voices. Technically too, the show was first-rate.
It is difficult to fault either the lighting, costumes, props or scenery. BSEAODS has an excellent stage crew who always work swiftly and unobtrusively.
Director Louise Travis brought much humour to the show rather than dwelling too heavily on the tragedy of the story and she certainly succeeded with some nice directorial touches. The mixture of relationships, tradition, and village life all came together with some excellent ensemble movement which did credit to Choreographer Heather Couch’s reproduction of Jerome Robbins’ original choreography.
Allegedly the most performed musical ever Fiddler on the Roof like Les Miserables doesn’t exactly send you on your way full of the joys of life but ‘Fiddler’ shows that with humour people have the strength of will to overcome adversity.
BSEAODS once again gave us a show well worth seeing. The evening though belonged to Tevye and the tour de force which was Marc Kerr.
'Bury St Edmunds Operatic & Dramatic Society’ is formally recognised as The Bury St Edmunds Amateur Operatic & Dramatic Society whose registered charity number is 278388